By Andrew J. Clark
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Extra resources for Advanced Techniques in Art Conservation
This aspect is particularly important in the case of natural organic materials. In fact, only a few compounds present both in fresh and in aged natural materials are commercially available as standards, and the analysis of ref- Strategies for Characterizing Organic Paint Media Colombini et al. FIGURE 10. (a) Average amino acidic composition of reference samples of garlic, dry and artificially aged. (b) PCA score plot of gilding and reference samples. erence materials of a known origin is an essential step in the set up of analytical procedures and to support data interpretation.
Ribechini, E. Gas chromatographic-mass spectrometric characterisation of plant gums in samples from painted works of art. J. Chromatogr. A 2007, 1175, 275–282. ; Lapre’vote, O. Identification of ritual blood in African artifacts using ToF-SIMS and synchrotron radiation microspectroscopies. Anal. Chem. 2007, 79, 9253–9260. ; Colombini, M. ; Diring, S. Identification of garlic in old gildings by gas chromatography-mass spectrometry. J. Chrom. A 2006, 1107, 226–232. ; Kodicek, M. Matrix-assisted Laser Desorption Ionisation Mass Spectrometry, Applied to the Analysis of Protein Paint Binders.
228330) and through the support of the Italian MIUR (PRIN 2006035484, FIRB RBNE03SML9). The authors are grateful to several researchers The MOLAB Multitechnique Approach Miliani et al. that have contributed to the MOLAB activity: C. Anselmi, L. Cartechini, C. Clementi, A. Cosentino, A. Daveri, B. Doherty, K. Kahrim, V. Manuali, F. Presciutti, A. Romani, and M. Vagnini. BIOGRAPHICAL INFORMATION Costanza Miliani is Researcher at the CNR-ISTM (Istituto di Scienze e Tecnologie Molecolari) in Perugia.
Advanced Techniques in Art Conservation by Andrew J. Clark